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Mark Kilian

The debut film from English director Thomas Ikimi is a tense, claustrophobic character study centering on the mental and emotional deterioration of a decorated special operations soldier (Idris Elba) while holed up in a Brooklyn apartment after a botched European mission.

Given the film’s intensely psychological bent, South African-born composer Mark Kilian exploits a wide variety of musical styles and arrangements – encompassing electronic, acoustic, and vocal – to give viewers access to the lead character’s increasingly unstable personal purgatory. Freely interweaving dissonant electronica and acoustic strings with electric and acoustic piano and multiple layers of digital and acoustic percussion, Kilian ably re-applies the techniques of horror and action film scoring to the psychological thriller, creating a world of the mind every bit as exhilarating and disturbing as the one outside.
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