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Redemption

Dario Marianelli

Dirty Pretty Things and Eastern Promises writer Steven Knight’s directorial debut stars Jason Statham as a renegade special ops soldier turned avenging vigilante in the heart of London’s seedy underworld.

Trading the florid, classical stylings of his P
ride and Prejudice, Atonement and Anna Karenina scores for the grittier intonations of a modern crime film, Dario Marianelli takes an uncharacteristically subdued approach – less percussive and more overtly emotional than is typical for the genre. Tracks like “Getting Better,” with its nervous yet soulful strings and tentative, suspenseful bass highlight the film’s rich tapestry of conflicted, constrained emotions. Even more traditionally percussive and electronic-industrial tracks like “Do You Want to Work” and “Joey’s Career” evoke a kind of colorful, interior melancholy whereas “Nun in Red” and “At the Ballet” opt for the pure, unreconstructed emotional power of the orchestra.
Redemption
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